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CELTIC MYTHOLOGY SHOULDN’T FEEL LIKE WORK.

IT SHOULD KEEP YOU AWAKE AT NIGHT.

Celtic Myths are among the most exciting stories I’ve ever discovered. But many people struggle to enjoy them.

That’s because most Celtic Mythology books are either:

  • written for academics

  • written for children

  • written for people who lived a century ago

I couldn't find the Celtic Mythology books I wanted to read, so I wrote them myself. I draw on my background as an oral storyteller and novelist to to write retellings of Celtic Myths that are true to the tradition and as exciting as the best contemporary fiction.

 


 

Modern life has its charms but our soul yearns for something else. We yearn to be part of a world in which everything is alive and intrinsically connected to everything else.

Our ancestors were part of that web. There are many ways we can find our way back there, and one is through story.

Stories aren’t just entertainment (though entertainment is a vital part of them).

They are a dialogue between the human and more-than-human worlds.

They are an unbroken chain linking us directly to our ancestors.

They are the hard-won wisdom of peoples who knew things we don’t know.

They weave us into a world where the trees dance, the gods sail the seas and the otherworld is only a breath away.

That’s the world we belong to. Celtic myths can take us there.

 
 
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Maybe you have Celtic ancestry. Maybe you don’t. I don’t care.

I’m Daniel Allison, a Scottish author and oral storyteller. I started my storytelling apprenticeship with Scottish elders sixteen years ago, back in 2008. Since then I’ve performed and taught all over the world, trained professional and award-winning storytellers, written multiple books and brought Celtic Mythology onto the USA Today bestseller list.

One thing has become clear to me in that time.

It doesn’t matter if you're Scottish or Slovakian or Siberian.

It doesn’t matter if you live in Oregon or Auchtermuchty.

You have the right to love these stories.

And you have the right to tell these stories, if you earn that right.

You earn it through study, attention and devotion.

It’s that simple.

 
 
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If this is speaking to you, here’s an outline of what I offer and where you could head next.

I share Celtic Myths and Legends in my books, on my podcast and in live performance. I also write about Celtic Mythology and related topics on my blog, in my mailings and on my Instagram. And I teach storytelling online.

If you’d like to try me out to see if we’re a good fit, my podcast is a good place to start. You can sample House of Legends podcast here or using the player below.

Alternatively, you could dive straight into one of my books. Most people start with the USA Today bestseller Scottish Myths & Legends or its sequel (both are available as Audible audiobooks) or with Irish Mythology: The Children of Danu. An ebook costs about as much as a cup of coffee, so that’s a wallet-friendly option.

You might be interested in something a little more experimental. The Orkney Cycle is a fast-paced mythic fantasy series that begins in Orkney and roams from Ireland to Iceland. It’s my way of exploring the imaginal world of Scotland and Northwest Europe’s pagan inhabitants. It’s also a love letter, a devotional offering to the lands and stories I love. The first book, The Shattering Sea, is available now.

Are you interested in telling Celtic tales yourself? You’re probably in the right place. I run Myth Singers, a year-long Online Celtic Storytelling Apprenticeship, which has produced multiple professional storytellers (and really, really good community storytellers).

So please take a look around, explore the site and see what grabs you. If you like the sound of all this but have unanswered questions, drop me an email. I live to share this stuff and I’d love to help you.

Thank you for being here and thank you for caring about Celtic Myths!

 
 
 
 
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GET THE CELTIC MYTHOLOGY HANDBOOK,

DANIEL’S FREE EBOOK

The guide my younger self looked for but never found.

A full colour, 42-page introduction to Celtic Mythology from one of the leading authors in the field,

drawing on years of teaching experience and developed in collaboration with my students.

Get it for free when you join the House of Legends Clan

 
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Here’s what’s happening on my Instagram. Follow me if you’d like a daily dose of Celtic Mythology.

 


Finn’s world is superbly portrayed

★★★★★ Reader Review


So engaging, like all of Daniel Allison’s books, but even more so

Stephen McCabe, Oral Storyteller


Utterly brilliant

★★★★★ Reader Review


Deserves to be on every bookshelf in Scotland & Ireland

- Fiona Herbert, Oral Storyteller


I just couldn’t put it down

★★★★★ Reader Review


 This book made me fall in love with my favourite stories all over again

- Csenge Zalka, author Dancing on the Blades


 
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A spellbinding testament to the power of Irish myth

- Sorcha Hegarty, Candlelit Tales


A much-needed telling of the Irish ‘in the beginning’… beautifully written and very accessible

– Sandy Dunlop, Bard Mythologies


Despite the historical remoteness of these ancient tales, Allison’s telling is deeply engrossing; his exuberant style illuminates what is human and deeply relatable in material known for the lofty and the grand… friendship, love, and betrayal alike shine with realism, and moments deeply moving and beautiful arise from the text like healing herbs growing from the dark soil of the past.

- Danica Boyce, Fair Folk Media

Epic battles, shrouded otherworlds and secret sorcery... Daniel Allison's book is a gem

- Paddy O’Brien, Irish Storyteller


 

Here are a few recent articles from my blog (I’ve been a bit quiet on this front, more coming soon!)

 
 
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From The Cailleach:

Darkness.

Silence.

A time before time.

In that time, the Cailleach came.

She came from the north, from further north than North, atop a throne of storms. Blue-skinned and white-eyed, her breath so cold that it shattered stars, she sought a new home.

Beneath her, she spied a mass of rock. It had no shape; no peaks nor valleys, no trees nor rivers, no birds nor four-footed things. 

It had no gods.

The rock called to her. She sang to it, and it roared at her. Make a home here, it said. Sink your hands into me. Make me anew.

The Old Woman of Winter was pleased. She landed on the rocks, making the whole world shake. 

Waves crashed against the shores, leaping up to greet her. Amid swirling storms, the Cailleach set to work.

The crone plunged her hands into the eager rock. Grinding and breaking and pummelling the stone, she forged it anew.

The Cailleach made mountains. Armies of mountains. Legions of mountains. A stone forest of bristling teeth; a galaxy of temples to snow, cold and screaming wind. The wind swirled around her, urging her on, cladding her creation in icy armour.

 After time uncounted, the Cailleach looked about herself. She was nearly finished. All she needed was a seat from which to observe her home. With the last of her strength, she built a shoreside mountain that towered above all the others. Finally, she climbed atop it and lay down to sleep.